Everything new since 2.0.6.
Mixing and mastering in Studio
- Limiter for the master, with loudness metering. It sits last on the master and keeps everything under its ceiling, peaks between samples included, without pumping or distorting. Styles: Transparent, Punchy and Loud, with presets such as Catch Peaks and Broadcast Safe. Its editor shows what goes out and, in red, what was taken off, with the song's short-term and integrated loudness and true peak.
- The same limiter replaces the old safety limiter in every song. It no longer clicks when it catches a peak, and exports now match playback at any buffer size. Songs that never reached the old limiter sound exactly as before.
- Exported songs report their loudness, for example "Exported Song.wav: -14.2 LUFS, -1.0 dBTP".
- Compressor for any track, bus or the master. Styles: Clean, Smooth, Punch and Glue, with Threshold, Ratio, Attack, Release (Auto avoids pumping), Gain (Auto keeps it about as loud), Mix, Knee and Sidechain. Drag its curve to set the threshold and ratio. Ten presets, from Gentle Leveling to Mix Glue and Drum Bus.
- De-esser that tames "s" sounds the same on a quiet line as a loud one and leaves breaths alone. Modes: Highs, Band and Whole, and Listen to hear only what it reacts to.
- The Compressor and De-esser add no delay, so they work on a track being recorded.
- Mastering for the master. Pick where the song is going (Streaming -14 LUFS, Apple Music -16 LUFS, TV -24 LUFS, or Loud -10 LUFS for trailers and games) and press Measure: it sets the gain to reach the target, and says so when getting louder would flatten the peaks. Warmth, Air and Glue add gentle polish.
- The Limiter, Compressor, De-esser and Mastering editors show only the sound that's really playing, scrolling in from the right, and go still when playback stops.
- Mix: the song's reverb and each effect bus now show what comes back on their meters (they stayed empty before).
Scoring to picture
- A song can have a video and a timecode. The video plays in its own window, showing the frame that goes with what you hear, whether stopped, scrubbed or playing. It can float over Studio, go full screen, show the timecode on the picture, and show the picture early for a screen that shows it late.
- Every film and TV frame rate: 23.976, 24, 25, 29.97 (drop-frame or not), 30, 47.952, 48, 50, 59.94 (drop-frame or not) and 60. The timecode track of QuickTime and MP4 files is read, and a video without one has the timecode burned into its picture read off a few frames.
- The video's sound comes in on an audio track of its own, locked to the picture through tempo and timecode changes.
- A video lane under the ruler shows the video's pictures. The ruler and the player bar show timecode, and Go To takes one. Use File > Import Video..., View > Show Video, or drop a movie on Tracks.
- Video your computer can't play itself (ProRes on Windows, DNxHD/DNxHR, MXF, MKV, AVI, and any video on Linux) plays through FFmpeg if you have it installed. Studio doesn't come with FFmpeg.
- Hits, streamers and punches: press H (Transport > Add Hit) to drop a hit on the frame you're hearing; hits stay on their frames whatever the tempo does. In the video window a streamer sweeps into each hit and a punch flashes on it. Tempo for the Hits suggests tempos that put your hits on beats.
- Snap to Frames puts clips and notes on the picture's frames, and the arrow keys nudge notes by one frame.
- MIDI Timecode: Transport > Send MIDI Timecode To sends the song's clock to a MIDI output; Transport > Follow MIDI Timecode lets Studio follow another device's timecode.
- Exports for picture: a song with a timecode exports WAVs (the song and stems) that say where they start (Broadcast WAV), so Pro Tools and other DAWs place them at that timecode. Export Video with Music makes the song's video with the song as its sound, in sync (a QuickTime movie on the Mac, an MP4 on Windows), and can burn in the timecode, the bar and beat, and the song's name.
Playing
- Clean Repeated Notes: a fast note on the same key as the one before it is now heard. Whatever still rings of a key's last note fades out over 50 ms as the key plays again, as a player stops a note to play the next. On in new songs; songs saved before play as they did, and you can turn it on in Transport, next to Delay Compensation. The Musio plugin in your own DAW sounds as before.
Fixes
- Studio on Windows: video shows the frame it's stopped on, plays smoothly through FFmpeg, and an MP4's sound is placed correctly (it could come about 124 ms early).
- Studio in Japanese, Korean and Chinese on Windows: the menu bar, tick boxes and audio settings lists are drawn in the language's font and are no longer garbled.
- New texts in all seven languages.
Linux (2.0.17)
- The arrow pointer no longer disappears on Wayland desktops (such as Hyprland and GNOME) in Studio, Connect and the standalone.
- Studio and the plugin find Musio Connect when it was installed just for you (in ~/.local/opt/Musio) as well as in /opt/Musio, so Studio no longer needs Connect to be opened by hand first.
- If a track's sound goes bad, Studio silences and resets just that track instead of cracking and going silent, and Studio's log names the track. If the audio device stops after an error, Studio starts it again, and dropouts are noted in the log.
The Musio plugin (AU, VST3, AAX), the standalone, Musio Connect and Musio Studio are now 2.0.16 on Mac and Windows, and 2.0.17 on Linux. Your sound library, settings and sessions are kept.